When I designed a calendar for the year 2000 for several european companies, who ‘private labeled’ it to use as a corporate gift, I focused on the symbolic meaning of the numbers that represent each month to coincide with the switch of the millenium. Yes, back then we were all freaked out about ‘numbers’.

I illustrated or photographed each piece and was in desperate need of a great looking old wheel for the calendar’s cover. Down the street from where I lived in Santa Monica there it was, in a shop window. A strange shop it was as it was never open to the public and no one really knew what exactly was being sold. I caught an old man opening a side door and that’s how I met Parke Meek. A remarkable man who worked with Frank Lloyd Wright and Charles and Ray Eames, and who let a young Mr. Geyrhalter shoot his props for that calendar and shared his stories with me that fine day.

Yesterday’s Los Angeles Times announced that the little shop, Jadis, will be open today at 11:00 AM to the public to sell its vast inventory of curiosities, which were mainly rented by studios as props. In true fashion it was not yet open by 11:45 AM when I swang by to see if I could purchase that wheel as a memory of Parke Meek, who passed away in January at age 86. Thanks to the LAT write up, people lined up around the block. So instead of being in line, I opted to share this article about a great man, and some shots of my 2000 calendar with you:

Link to the Los Angeles Times Article

Pictures of the shop

Why is it that the more prestigious the design competition, the more it costs to enter?

Prices for a single entry can be around $120. But once you are selected to either receive an award, or be published in the awards annual, which after all is part of the exercise, there will be an additional fee of $280 – $400. And that is for just one single entry.

Sure, we play along. Sometimes. As we see fit, and for projects we feel deserve to be honored. But we too draw the line.

Let’s not forget that we are an agency, we have a PR budget and cash flow. How about all the students, freelancers, micro design firms, nonprofits and other entities that may have the big, creative, genius ideas that we should all be drooling over? The ideas that really look different because they come from folks that may not have ‘corporate’ breathing down their necks, or they do it for free, out of passion and just for fun? Isn’t that often when truly great ideas happen? They will never be in any of the ‘big’ award books showcasing the best, the brightest and most amazing ideas. The books that design students get for christmas, that turn into their text books of what they ought to measure their own creativity with, are lacking to showcase just that, the unconditionally best creative endeavours. Read the rest »

Barneys catalogue, Winter ‘08…

…meet BCBG catalogue, Spring ‘09:

I hope you two get along.

Looks like you might, since you share the same style.

At least on first glance…let’s see what happens when you actually get to know each other a little bit.

If I recognize this on a plain ‘consumer’ level, I just wonder if anyone else does as I won’t be the only household receiving both of these within months of each other. Peculiar.

Always inspired by seeing designers come up with new and unique solutions to age-old tasks, which are often labeled as being boring or mundane, like designing a lamp. Some might say ‘It’s all been done before’ and some opt out to just try a bit harder. This blog post my designer Julia found today shall serve as inspiration to all young designers to try harder and invent, or at least to re-invent.

(11.17 Addition: Just had to add this series of ‘dog lamps’ I found today to the mix.)